AAFG 2020-21 Meeting Programs
Membership meetings are held the 2nd Monday, September – May
Due to the current Covid-19 physical distancing directives in place, all meetings will be held virtually via the Zoom platform until further notice.
Monday, September 14, 2020
Let’s reconnect via the Zoom platform. This is an opportunity to gather virtually and chat with other guild members. Share some of the projects that you were able to finish (or start) since we were asked to Stay Home/Stay Safe. Learn about upcoming lectures and workshops.
Monday, October 12, 2020
“Functional COVID Art Mask Online Exhibit”
Click here to view exhibit
This is our first online exhibit! AAFG members who submitted mask entries will be invited to talk about their inspiration for creating these timely works of functional art. After the member exhibit, AAFG member Stephanie Schneiderman will share her collection of gorgeous COVID masks, acquired from Mexican artisans. Beginning in May, Stephanie started an initiative to sell face masks from Chiapas—including cotton masks made from the ikat dye resist cloth, traditionally used for the famed rebozos of Mexico. This effort has helped to generate revenue for the artisans who no longer had tourists coming, or expos to attend. A member-to-member breakout room chat session will follow the mask presentations.
Monday, November 9, 2020
An internationally recognized conceptual artist, Karen Hampton addressing issues of colorism and kinship within the African American community. Hampton’s art practice is the synthesis of memory, history, time, and cloth. Hampton, a student of cultural relationships, seeks to break through stereotypes and address issues related to being an African American woman. Frequently referring to herself as a griot (storyteller), she imparts conceptualized stories about the “other” in society. The canvas of her artwork is a coarsely woven cloth that is aged and imbued with these images, dating back to a forgotten part of the American story. Using her training in the fiber arts and anthropology, she brings together the roles of the weaver, the dyer, the painter, the embroiderer, and the storyteller. Hampton has found that working with historical narratives provides a vehicle to bring these silenced voices into the American landscape.
Hampton’s artwork is held in the collections of the Ruth and Elmer Wellin Museum, Hamilton College, Clinton, New York, and the Honolulu Museum of Art, Honolulu, Hawaii and she received the coveted Eureka Prize from the Fleishhacker Foundation in 2008. Hampton is an assistant professor in the Fibers program at the Massachusetts College of Art and Design and is a trustee for the Textile Society of America. kdhampton.com
Monday, December 14, 2020
“Knitted Glass: How Does She Do That?”
“I see my knitted work as metaphor for social structure. Individual strands are weak and brittle on their own, but deceptively strong when bound together. You can crack or break single threads without the whole structure falling apart. And even when the structure is broken, pieces remain bound together. The connections are what bring strength and integrity to the whole and what keep it intact.”
Carol Milne received a degree in Landscape Architecture from the University of Guelph, Canada in 1985, but realized in her senior year that she was more interested in sculpture than landscape. She has been working as a sculptor ever since. Carol is the lone pioneer in the field of knitted glass. Pushing the limits of her material through persistent and relentless experimentation, determined to combine her passion for knitting with her love for cast glass sculpture, she developed a variation of the lost wax casting process to cast knitted work in glass. Carol’s work is a visual feast! www.carolmilne.com
Monday, January 11, 2021
“The Fabric of Civilization”
From the moment we are born, we are surrounded by textiles. They clothe our bodies, cover our beds, curtain our windows, and carpet our floors. They give us medical masks, bandages, seat belts, and duct tape. They are everywhere. Textiles are one of humanity’s oldest and most essential technologies. The word technology even comes from the Indo-European root –teks, which means to weave. But most people take them for granted. In her acclaimed new book, The Fabric of Civilization: How Textiles Made the World, Virginia Postrel traces the story of textiles from cave dwellers twisting plant fibers into string to the latest in computer-driven 3D knitting. She reveals how the pursuit of cloth has shaped science, technology, economics, and culture. The story of textiles, she argues, is the story of human ingenuity in all its manifestations. In this illustrated talk, you’ll hear fascinating stories from textile history, meet some of the researchers and artisans Virginia visited, and come away with a greater appreciation for the textiles that surround us and the human creativity that made them abundant. https://vpostrel.com/the-fabric-of-civilization
Monday, February 8, 2021
“AAFG Member 2D/3D Fiber Art Exhibition”
This juried virtual exhibition will feature the work of AAFG members. Artists will be invited to talk about their inspiration and process. A member-to-member breakout room chat session will follow.
Images from the 2019 Village Theater at Cherry Hill AAFG Member Exhibit (l-r): Linda Girard; Irmgard Gruber; Cindy Harris
Monday, March 8, 2021
Monday, April 12, 2021
To celebrate their 50th anniversary, the fiber artists of the Etobicoke Handweavers and Spinners Guild in Ontario, Canada decided to give themselves a little challenge: craft a coat from scratch in three weeks using only materials found within 50 miles. They had just three weeks to card, spin, ply, weave, full, cut, sew, felt, and dye – and make the buttons! Etobicoke member Joan McKenzie will share her Guild’s adventure in making their challenge a reality.
Monday, May 10, 2021