Meeting Programs

AAFG 2021-21 Meeting Programs

General Notes

Membership meetings are held the 2nd Monday, September – May.
As we navigate a new normal, the Ann Arbor Fiberarts Guild will remain flexible and offer a combination of virtual and in-person meetings.

Monthly Schedule 

September 13, 2021 (In-Person + Zoom)
“An Artist’s Life in Transition”
Kerr Grabowski
Bay Saint Louis, Mississippi based artist Kerr Grabowski is known for her mixed media work and elegantly whimsical wearable pieces. After twenty-two years in rural New Jersey, nine of them heading the Fibers Program at Peters Valley School of Craft, Kerr returned in 2011 to her Mississippi roots. Grabowski’s history as a fiber artist has been marked by her constant experimentation with and innovative approaches to dyeing and screen processes. She developed Deconstructed Screen Printing, a monoprint technique allowing for a freer, more painterly approach to screen printing and produced two DVDs on her methods: Adventures in Surface Design and Deconstructed Screen Printing.

In this lecture, Kerr will discuss her evolution of moving from wearable art back to wall art and will also talk about the shift from in-person presentations to Zoom lectures and workshops.

October 11, 2021 (In-Person + Zoom)
“Color and Inspiration”
Daryl Lancaster
Build color confidence no matter what your favorite fiber technique. Daryl Lancaster will begin her lecture with color basics, and then share how color forecasts and online color tools can inspire you to stretch your imagination. She will illustrate a series of fun exercises to create easy color references using yarn, photos, and Color-aid papers.

Daryl is a hand-weaver and fiber artist known for her award-winning hand-woven fabric and garments. She gives lectures and workshops to guilds, conferences, and craft centers all over the United States. The former Features Editor for Handwoven Magazine, she has written more than 100 articles and digital content, and frequently contributes to weaving and sewing publications including Threads Magazine.

November 8, 2021 (In-Person + Zoom)
“Eco-Printing: Releasing Nature’s Secrets”
Dawn Edwards
Eco-printing/botanical printing refers to leaves and plant matter that print through a bundling and heating process.  Unlike natural dyeing, you actually see leaf images on your piece. Dawn Edwards will take you on an eco-printing tour where you will meet some of her friends from Australia, Ireland, and the Netherlands, and see their beautiful eco-printed creations. The lecture will end with a quick stop to her Plainwell, Michigan studio.

Dawn is a felt artist and tutor. She sells her work under the label ‘Felt So Right’ and teaches both nationally and internationally. Her felt art has appeared in numerous exhibitions. Dawn has been published in magazines and books, including Ellen Bakker’s Worldwide Colours of Felt, several issues of the Australian Felt Magazine, the International Feltmakers Association’s Felt Matters journal, the HGA journal Shuttle, Spindle & Dyepot, and the Russian magazine Felt Fashion. Her “Blue Coral” felt hat was chosen to appear in the Fiber Art Now’s Felt: Fiber Transformed. She is the co-coordinator of the not-for-profit group Felt United, which is celebrated annually on the first Saturday in October. Felt United has approximately 7,500 members, with the goal of uniting feltmakers from all around the world through the creation of felt art centered around the same theme. This year’s theme is ‘Emerge.’

December 13, 2021 (In-Person + Zoom)
“All Is Not As It Seems: Alchemy, Tinkering, and Stitching”
Jennifer Lee Morrow
Like many studio practices, Jennifer Lee Morrow’s has evolved over the years. In her artwork, she has carried two consistent material threads: paper and textile techniques. Conceptually, she has explored mainly personal interests like home, protection, love, growth, and family secrets. These interests intersect with societal issues like gender dynamics, parenting, and spiritual evolution. Earlier in her career her pieces were more symbolic and conveyed a single message. Currently she is more interested in layered images and creating more complex narratives. This talk will use earlier and current work, studio and process shots, and her inspirational images to give a sense of her intuitive artistic process as well as how she appropriates, alters, and connects materials.

Jennifer is a mixed media artist with a strong interest in paper and textile techniques. She was raised near Niagara Falls – on the US side – and lived in Rhode Island and Kansas before moving to Maine in 1991. For most of her time in Maine, she lived and worked on exquisite Deer Isle. Jennifer earned a BFA from Rhode Island School of Design and a MFA from the University of Kansas at Lawrence. She has taught at Haystack Mountain School of Crafts and Penland School of Crafts among other schools. Her work has been exhibited regionally and nationally in gallery and non-profit settings.

January 10, 2022 (Zoom Only)
Ellen Willson Threads of Interest Series: Lecture #3
“A Hand Made Tale”
Katherine Tilton
A self-described artist, educator, designer, creator, sewer, writer, maker, visionary, and meditator, Katherine Tilton brings a light-hearted clarity, simplicity, and sense of deep play to all she touches. Her teaching is imbued with a humorous sensitivity and acceptance that allows easy access to meaningful exploration. Katherine will be sharing an overview of her creative journey which she calls “conscious creativity at play” including a new upcycling project.

Katherine has designed her own line of clothing and accessories, selling in boutiques, major department stores and catalogs. Through her Vogue & Butterick patterns, she fashions easy ‘everyday couture’ clothing for women which are artful interpretations of classic shapes with European flair. She creates unique and altered clothing with a quirky juicy flavor using surface design, up-cycling, and embellishment. Her work is included in the collections of The Mayo Clinic, St. Louis Park Medical Center, Minnesota History Center, and private collections. Her work has appeared in Vogue Pattern Magazine, Threads, Ornament, the Singer Sewing Reference Library and Fiberarts. Katherine maintains a creative studio in southwestern Oregon. She and her sister Marcy have an online fabric store, and conduct studio design tours in Paris (, exploring and playing in the creative essence of that magical city.

February 14, 2022 (Zoom Only)
“Hanging Techniques for Textile Art”
Karen Turckes
Preparing your textile wall art for exhibition is an important detail that can either make or break your beautiful work. Once a piece of textile art is finished it can often be a mystery as to how to hang it properly. In this presentation, Karen Turckes will share her practical advice for the best ways to hang quilted, felted, and woven wall art pieces as successfully as possible. She will discuss all the things to consider as you make your finishing and hanging decisions: from aluminum flats and wood, facing a piece, mounting on canvas, gallery wraps, hidden mounts to frames and gallery frames.

Karen Turckes is a full-time fiber artist and teacher. She has worked with textiles all her life and is a graduate of the Clothing and Textiles program at Michigan State University and the Art Cloth Mastery Program in San Antonio, Texas. She dyes her own cloth and adds layers of depth to the fabric using paint, soy wax, fabric manipulations and other surface design techniques. Karen is the owner of Windberry Studio, a private studio in Michigan where she makes hand dyed fabrics and art cloth. Her artwork has been exhibited nationally. Her love of art has led to teaching dyeing and surface design classes, as well as free motion stitching and fabric manipulation.

March 14, 2022 (Zoom Only)
Ellen Willson Threads of Interest Series: Lecture #4
“The Great Cloth”
Carl Stewart
In The Great Cloth Carl Stewart (he/him) examines the influence of heritage fabrics on contemporary textile art, specifically the influence of Scottish estate tweeds on his project clò mòr, a response to the conditions of LGBTQ+ individuals living in one of the 72 countries around the world where homosexuality is criminalized.  

Carl Stewart is a weaver living and working in Ottawa, Ontario, Canada. He obtained his training at the University of Prince Edward Island and at Charlottetown’s Holland College School of Visual Arts. His projects are often created in response to events personal, political, and environmental. In his lectures, he brings to life the critical role of fabric in creating culture and identity. Carl’s work has been exhibited in galleries and museums across Canada and in the United States, and currently hangs in the collections of the Ottawa Art Gallery, the City of Ottawa, the Canada Council Art Bank and the Leslie-Lohman Museum of Art, NY.

April 11, 2022 (In-Person Only)
“Millie Danielson Fashion Show”
Millie Danielson
“Out of Yourself, Create” – Andre Gide
“Looking back, this statement has always been a definition of my philosophy. Trained as an Arts and Crafts teacher, I pursued many forms of art expression – watercolors, sculpture, fashion, printing, metal and wood working. A course in Serape weaving at the University of Mexico incorporated many of these techniques – design, color, texture, purpose. When a loom was given to me, I felt obliged to honor the gift by learning all I could about weaving. And a career was born!!!

Such pursuits have resulted in a body of work which has included many tapestry commissions, fashion shows, entries into many fiber exhibitions, and exploration into repurposing materials foreign to the weaving/fiber tradition.” – Millie Danielson

Millie Danielson is an original in every sense of the word, from her approach to design in all aspects of fiber arts to the fashions she creates and wears. Actively engaged in the community at large and a long-time member of AAFG, we are delighted to honor Millie with a fashion show featuring the work she has designed and created over her career.

May 9, 2022 (In-Person Only)
“The Art of Cyanotype: Basics and Beyond”
Leslie Riley
Cyanotype is a simple process that has been used for over 150 years. It is a contact printing process that also goes by the name sun printing and blueprints. Wet cyanotype—commonly called wet-cyan—is a relative newcomer to the world of cyanotype printing, appearing on Instagram feeds in the spring of 2017. According to Leslie Riley, “cyanotype is the strait-laced parent of the more adventurous, rule-breaking, serendipitous, and naughty, wet-cyan child.” Leslie will share her adventures using this process.

Leslie is an internationally known artist, art quilter, teacher, writer, and Artist Success coach and mentor who turned her initial passion for photos, color, and the written word into a dream “occupassion.”  As former Contributing Editor of Cloth Paper Scissors magazine, Lesley developed a passion for showcasing new talent in mixed media art. Her first book, Quilted Memories, brought new ideas and techniques to quilting and preserving memories. A second, Fabric Memory Books, combined fabric and innovative ideas with the art of bookmaking. Two more books, Fabulous Fabric Art with Lutradur and Create with Transfer Artist Paper, introduced versatile new materials to the quilt and mixed media art world. She creates her magic on an idyllic horse farm in Frederick, Maryland.


Recent Posts